Introduction
There are few things that compare to sitting in an orchestra and being part of the massive, rich sound of a tone poem of Richard Strauss, with volumes that can range from the nearly imperceptible to the almost ear-splitting thunder of the orchestra. Imagine the thrill of playing a melody-laden Brahms Symphony with its lush, full, orchestral sonorities, or a Mozart Symphony full of beautiful lyricism and rhythmically driven energy. There is a countless wealth of orchestral literature that evokes these tangible, yet moving sensations.
After more than 30 years of playing professionally, I’m still enthralled with this profession – I love playing in a symphony orchestra. To be able to perform this repertoire, inspired by both the music and my colleagues in the orchestra, continues to give me a thrill. It has remained my passion.
And now it’s your turn!
You’ve studied your instrument for years. More than likely, you’ve spent thousands of dollars on private lessons and countless hours practicing and rehearsing. And now you’ve decided you want to play professionally in a symphony orchestra. It’s time to make your dreams a reality. If you’re taking the time to read this book, you will probably[…]”
“Now the stakes are much higher. You’re not auditioning to win a contest or a higher seat. This audition is going to be for your livelihood, your career, your dream.
I know how you’re feeling now, because like you, I have survived my share of auditions, and have judged many more. I have seen musicians simply stop on their own accord in the middle of a concerto and walk off stage for no reason. I have watched musicians crumble in tears in the middle of an audition. I even remember one person who started laughing so hard that going on was simply not possible. However, an audition doesn’t have to be a scary experience. There are steps you can take to prepare for your audition and optimize your playing where and when it counts the most. It can even be an enjoyable experience and in the process, greatly increase your odds of winning the job.
I’ve had the privilege of sitting on countless orchestra audition committees and have helped hundreds of musicians prepare. I’ve also learned the most common mistake that musicians make in orchestra auditions, and I’ll tell you so you can avoid it. So, whether you are...”
Excerpt From: Roger Frisch. “Mastering the Orchestra Audition.”